In partnership with ModeConnect and The Woolmark Company, the work looks into the innovative ways that wool is being used in contemporary fashion design. I chose to alternatively deconstruct the production methodology differences between making a wool jumper and 3D printed a nylon element. I was inspired to explore this further after an interview with Massimo Nicosia, the Creative Director at Pringle of Scotland - who is integrating 3D printed parts into his traditional wool heritage brand.
It was a really fun project, and of course - it's always a delight to be published.