Partners @ Limazulu

Another one for aqnb.com.

Young curators and young artists baffle me.
This show baffled me.
http://www.aqnb.com/2014/01/15/partners-limazulu-reviewed/

LC:M - January 2014

Working with Ella Dror PR on Sibling and Nazir Mazhar  meant I got to watch both shows as well as Katie Eary and KTZ:

S I B L I N G : taking inspiration from the regional working man - shiny, happy people.

 K A TI E  E A R Y: disney punk mods with orange devil hair.

then

N A Z I R  M A Z H A R: UK jungle street til I die.

and finally
KTZ: a relentless tribe of arctic cyber-aliens in black, white and silver. This was an amazing show.

How to Sleep Faster ep. 3

Please check out this online exhibition:
How to Sleep Faster ep. 3
from
Arcadia Missa

I wrote a review of it for aqnb.com (here) - and it was such a pleasure to explore and write.

For more examples of my contemporary art history / tech writing, go here.

Gotta have it

3D Printing the Future of Fashion

Essay written for the 3D Printshow London and Paris catalogue. November 2013.

Words by Faith Robinson. 

Different things fascinate different people. Some of us decide to take an interest in engineering or medicine, whilst some of us choose to study art or read books about archaeology. But none of us can choose whether or not to get dressed in the morning - and that is to say that every day, all of us engage with clothes and materials.

Although wearing clothes doesn't necessarily mean that you’re interested in fashion, the fashion industry is very much integrated into the everyday, popular culture that few of us can ignore. What we buy on the high street often replicates – and is thus prescribed by - what happens in exclusive fashion design houses, exhibited periodically throughout the year and constantly changing from style to style. But the future of fashion no longer relies on seasonal trend. Through collaboration between a wide range of disciplines, as well as the inspirational technology being employed by these revolutionary creatives, innovative new ways to design and create fashion items are being developed. A fresh fashion perspective is being discovered - and 3D printing is providing the critical opportunity for these new ideas to be fully realised.

The curated collection of fashion pieces featured at 3D Printshow – both in our live catwalk event as well as our Fashion House - stands as an introduction to the progressive nature of fashions alliance with technology. Throughout the collection, there is an evident tension between traditions of hand-crafted skill and the incorporation of modern-day technological technique. Many designers have recognised this aspect of their work and highlighted it, using the juxtaposition as subject matter for their designs (Marla Marchant, Pia Hinze) and appropriating it for the wearer of such pieces. Conventional and well-established practices in the art of shoe-making, millinery, jewellery, tailoring and pattern cutting have collided head-first with the computational advancements of CAD design and 3D print production methods. Yet we believe that our collection only illustrates the success of this exciting, interdisciplinary approach to the design of fashion artefacts and garments.

Despite the abstract, algorithmic practice that some of these 3D printed items have been produced by, their concentrated focus on creating an authentic materiality reunites the garment with the wearer. The potential to customise clothes not only to a person’s taste, but to their unique body type is already liberating fashion- and is what many designers and industry professionals are getting particularly excited about. The exclusivity of made-to-order dresses and outfits no longer seems restricted to the opulence of Haute Couture.

Regardless of the numerous implications that 3D printing is beginning to have upon the world of fashion, there also remains the pure and simple delight that the technology is giving designers in terms of original, artistic freedom. Ideas that could never have been realised through traditional production methods are now being made material; eccentric and fantastic designs no longer remain conceptual, but are made physical. The excitement of such a revolution is evident within every fashion item present in our exhibition and catwalk, and some of the most elaborate pieces involved in our collection lay testament to the infinity of possibilities that this new technology offers.

Whether you feel like you belong on the front row of a catwalk show or not, 3D printing is only going to be making design more and more personal - and thus more and more relevant - to a wider audience of interested people. Let us introduce you to the future of fashion.

Canal Mills: Conrtributions

The digital world is rarely represented anywhere but on our computer screens - yet the practice of artist Jen Hesse combines painterly technique with glitch visuals to create a series of stunning artworks.

Hesse’s large paintings reference online internet culture through the classical art medium of oil paint, which comes as a rather surprising collaboration. By fragmenting a narrative image through such datamoshing distortion, Hesse somehow manages to enhance – rather than destroy - the story and emotion in the picture. This leaves us with a beautiful interpretation of modern-day portraiture and still life, capturing both the physical and the virtual aspects of daily

 

This contemporary glitch aesthetic seems familiar to our hardware/software-reliant generation, giving a very fresh approach to a traditional method of art making. There’s certainly something fantastic about knowing that these images have been painted and thus physically exist, as opposed to being computer-generated files. Rather than floating around somewhere in cyberspace, these artworks are as real as the emotions that they illustrate in their subject and provoke in us.

Jen Hesse’s website offers more information and examples of her practice.

http://canalmills.com/art/jen-hesse-glitch-painting  

3D Printshow: London & Paris

Since the beginning of my position at 3D Printshow, I've been part of a small team working towards two huge events - which happened on the 7th, 8th and 9th of this month in London, and on the 15th and 16th of this month in Paris. Nine of us organised a series of events which attracted nearly 20, 000 visitors overall, and we're really proud of ourselves.

I organised and curated a 3D Printed fashion exhibition which was shown at the Business Design Centre in London and at the Carousel du Louvre in Paris. I liaised with over thirty designers and took responsibility for nearly one hundred pieces - which included shipping the whole collection abroad and back. I supported with the management of twelve live catwalk shows over both events and lead a team of fifteen in the production of them - showcasing 3D printed work from fashion designers all over the world.

Since the team was so small, there's so much more that I experienced and learnt. I was privileged to be able to work with many talented professionals, and I was humbled by everyone's support. Now it's back to the office until the same team produces a whole new 3D Printshow event in New York in February. Yikes.

A list of some of the designers I have worked with: http://3dprintshow.com/london2013/fashion-designers/